Exploring the smallest of things with Peter Forbes
This month we chat to Peter Forbes, co-author of NanoScience: Giants of the Infinitesimal
Tell us a bit about NanoScience: Giants of the Infinitesimal.
The book began with my co-author Tom Grimsey and his Giants of the Infinitesimal project, together with his colleague Theo Kaccoufa. Tom and Theo set out to make the nanoworld visible thought kinetic sculptures that mimic processes in the nanoworld. The book takes this further by showing how self-assembly can produce both the intricate functional structures of life and technical assemblies with novel mechanical, electrical, thermal and other properties. In technical nano, graphene of course is to the fore because it has novel properties in almost every category. The book is not only concerned with the potentially dramatic applications of nanotechnology in materials science, computing, photonics, energy, desalination etc – it seeks to show through its illustrations the beauty of the nanoworld. Many nanostructures bear a striking resemblance to the contemporary architecture of figures such as Santiago Calatrava and indeed the nanoworld is an influence on architectural form. The creativity of nano is growing apace: in Joanna Aizenberg’s work at Harvard, one-pot nano reactions can now produce elaborate structures that resemble flowers: the beauty of the nanoworld has not been revealed on this scale before.
What made you tackle this area of science?
I have always been fascinated by the nanorealm. Its spaciousness is staggering: as Richard Feynman, the prophet of nano, put it: “There’s plenty of room at the bottom”. My hero is Lucretius, the classical Roman poet, who speculated on the atomic theory and used ingenious examples from everyday experience to guess how intricate the world of the very small must be. As Feynman said, nature works its magic at the nanorealm: the proteins of life are complex nanostructures. So my interest in biological nano led to my first popular science book, The Gecko’s Foot, in 2005. My co-author Tom Grimsey read this and wrote to me about Giants of the Infinitesimal. After a couple of visits to Tom’s Aladdin’s cave of a studio down in New Cross, I realised that we had much common ground in both art and science. That was four years ago: NanoScience: Giants of the Infinitesimal is the result.
How did you approach writing this book?
The quantity of research in the field of nano is staggering – for the book we deliberately cherry-picked the most promising techniques for applications and those that are most intrinsically fascinating and beautiful. As with any co-written book, we both have our favourite areas: Tom, as a sculptor, is interested in polymorphic form and the mathematics behind it. I am especially interested in biological nano. We divided the chapters but we agree on the basic touchstones: our veneration for figures such as D’Arcy Wentworth Thompson and Richard Feynman.
Peter Forbes